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The answer is, how do you put all these thoughts to paper so people can see, not who we’re trying to be, but who we want to be? There’s not a lot of room for nuance and a certain amount of “I’ve got your brain on a plate, so go ahead and use the words we’ve written so you get the whole deal” (laughs). But there are some people out there who can read the lyrics on a page and pick up on what’s happening. That’s great.

Is there still any pressure to stay on top of how you’re using the word “nigger,” because there’s so much talk in music right now about the fact that we’re all overused?

Not anymore. No. It’s just a normal thing now. I don’t really have any pressure because I don’t care. Everybody has their own taste and their own taste.

What about the rest of the album, though? There’s a lot of great tracks on it? Like “I Gotta Be Yours?” [laughs]. There’s some very specific, intense, emotional songs on there, too.

I feel like we had two albums done, actually, but we were both busy. Sometimes the album just gets shelved, even on a label. But I feel like the last thing we had finished was the first record. So, yeah, we put out The Miseducation of Lauryn Hill in 2007. It wasn’t done yet. A lot of these songs were done.

I think some are great songs, sure. But I’ve never seen an album like it. It’s just all great songs. I mean, the songs in this one are all different, really good songs. I mean, like “Sleeping Bag,” the record’s probably the best song we’ve ever created, by a long shot. It’s probably the best song we’ve ever made. But yeah, it’s just a really solid record. And you get the sense that, even at this point, no matter what kind of project we do – and it’s definitely not a very good project, by any means – the idea of starting with a solid record like this is really important for us.

What do you guys be doing on the road lately? I know there’s some new music on the way (laughs).

Oh yeah! We’re doing a tour of Europe. And we’ll be back in New York this spring for the first

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