Well obviously it depends on what you do and the job your doing. Some people are happy to give up some of their personal independence, some people are happy to give up a big studio office, and some people are happy to work for someone else entirely in an advisory capacity and for less pay. I don’t have a number. But for me it would be something like about $1 million to give up your independent film project and have a huge amount of control over a film that you feel passionate about. I’ve had that for the last several years, but it is a really good and healthy career for me. I have a lot of personal freedom, which is important for a filmmaker to have. But I just don’t feel the level of autonomy and personal success I can have if you work for a much larger studio. I think if I work for someone else for less than $30,000, then I don’t feel like I can do a good job of my job and if something doesn’t seem to pan out I just walk away.
How does it feel having an Oscar nomination?
I haven’t been able to see my movie yet. I can’t say that I feel like I’m doing well for myself yet. I am really grateful for all the hard work I have done over the years. I have to stay committed to what I am doing, but it’s great for me and my friends to get an opportunity to do that, and it’s a bonus.
What has been the greatest challenge of adapting your film to the screen?
The challenge of adapting a book in Hollywood is that you need to be pretty convincing in the way of what the movie was about. It’s easy when you can write in all the plot points that you have established in the book — but in Hollywood when the story’s not there, things look pretty much like the way the script was written. If you are talking about a movie about a kid who is a superhero and the superhero’s father is a billionaire who decides to try to stop him, you are going to have to do a lot of work to get the audience to accept your point of view.
What advice would you give to other film makers interested in developing a script?
If you’re going to do a book adaptation of a book, make it a self-contained story. Do not assume that other people will love the same book if you write it — it’s all or nothing. I think people who see the book read and think
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