You can learn a range of skills, but the most crucial one is that you become a writer: that’s why you’re here, after all.

As it turns out, becoming a script writer also gives you a lot of time to learn new skills if you so wish.

The Scriptwriter Academy helps you get around in the scripts you’ve written, so you start your own writing career by being a skilled and ambitious indie screenwriter.

The script academy program provides everything you need to get to know the writing craft, learn techniques and build your skill set, but as you’ll see below, it’s all organised around the principles that we advocate. These principles aren’t just about learning about scriptwriting, or how to produce great scripts.

Here are the core beliefs guiding The Scriptwriter Academy, which means this programme aims to get all of the things that make you a good storyteller into making you a great storyteller.

These core beliefs are:

Script quality. There’s no one right way to write a screenplay, the script community is full of conflicting opinions, but there’s a common goal to get the script as close to the movie as possible so you get a sense of the writing and narrative flow, and so you get a real sense of who the characters are while you’re writing them. Script structure. We believe that your characters need a place, a structure, your storyline must have a beginning, middle and an end. If the story is a roller-coaster ride, you want to be sure not to be a jitter in the middle of roller-coaster. Plot structure. Each scene needs to be told in a clear manner, you can’t make it out of one scene if you were writing an email to a friend about a particularly hot day. Dialogue. The script should be self-contained, it has to stand on its own, it has to be coherent, it must include enough dialogue to hold back the action, but it also needs to provide enough dialogue to engage your reader. If it falls apart because the writer did something different from what was expected, it’s a failure to the mission. You need to write to engage your audience, to tell their stories. Dialogue is the only thing that matters. You don’t need to write dialogue in all the scenes. It doesn’t get added in by the editor. In fact, a great script can’t possibly have the required dialogue for the audience because any script that cannot engage with its audience must

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