How easy do you make it? How do you make a sound for free? How well do you do it? That’s the kind of question you need to ask when you get a new music-making kit.
There are plenty of ways to make music. I’ve done it with a drum machine, with MIDI, with ProTools, with Cubase and DAWs, with Ableton Live. With all these I’ve had to have a lot of patience to get them to work. You don’t have to wait for three weeks to find out if a kit is going to work for you.
What’s your current favourite drum kit?
I like a lot of different drum kits. My favourite has to be one called the “T-Drum System” used by Steve Vai. It’s one of the most simple ones I’ve ever used. It’s a little bit of a hobby that I’ve had since I was a kid. I used to take an old Roland kit and put the knobs on the T-Drum, and I’d listen to that for hours. It’s hard, it’s a little bit of an obsession. The only thing that gives it more of a challenge is the drum sounds. I think, and there’s no hard rules, if it sounds good enough it should be good enough for me. A lot of that comes down to having a good drummer, if somebody can take on those sounds you’ve got to have somebody who you trust and who can make those sounds your way. I also like a lot of different kits. I like to mix myself up with drum machines. When I started to use one I was a bit confused between the drum sounds and the drum sounds and what they do. I liked the fact that you could turn them off, but you could still hear them. It wasn’t a problem if someone used the drums too much, but I find that sometimes it sounds better to use the drums the way they want to sound.
Is it the sound of your kit or what’s been done?
At my studio now, and all around the world, we don’t use it for a lot of the drums. If I can’t find it, I don’t use it. The only people who play it on a regular basis are me and John Anderson. The real purpose of the kit is that the drummer doesn’t have to think about it. That’s what’s different about it.
Do you use one drum set for a solo
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