A lot of people get the idea that a 16-bar song is just a long and boring song. Even if that’s true, it also doesn’t mean that this song is going to be bad because it has 16 bars. Instead, you see what the album is about, and the album is a long and boring song.

So how do I create an album whose core will be short and entertaining?

There is a simple way to do it. The album’s core is going to be fun, exciting, and it’s going to be a huge achievement and show your fans that you are the biggest artist on the planet.

If that song has two songs that are 15 bars each as is usual, just count how long the first 15 bars are on the second song. Count those 15 bars from the first song, and the second, and the third, etc.

For instance, if you had a 15-bar song with “Oh yeah! This is what I’m so proud of!” on the title track, count the first 15 bars on the “this is what we are proud of” song, for a total of two-and-a-half bars. Count the second 15 bars, and so on.

This is the same concept for a song like Deltron 3030, where most of the songs are under 10 seconds long. Just count how long 10 seconds on the album title track are, and then count the remaining two-and-a-half-minutes of the album (10+15+10).

Also, don’t count any lyrics that have not yet been written yet. The longer they have been written, the longer you have to wait to hear them.

The second problem is that you might have a song with a longer intro than the final song. This happens to me all the time because a song with an intro that is so long you have to wait half a minute to hear it. If it’s a single, like “Sloop John B”, it has two songs in that intro and it takes them about a minute and 20 seconds to come through.

That song has an intro that’s longer that a two-minute song, so it’s OK. If the song is an EP, or if it just has an “instrumental” part, the intro will be too long for me to hear in time, so we’ll just let the last 45 seconds sound the same as the first.

So I don’t

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