There are many methods. I believe that this post can be read as a catalog of a few of them to get an overall sense of the general method and to be able to apply it to your own work.
As a writer, the first technique I use is the drawing itself.
I usually sketch what the story is about. I then lay out the space for it. I sketch the plot in the blank spaces I create, but also in the space in between. I’ll also sketch the characters, though I generally don’t start there. I like to keep it loose and to the point.
For characters I’ll also sketch them on the ground or at the center of the page. Sometimes, though it doesn’t seem to make the story, I’ll give them a bit of character. Like I said, I like to be loose and to the point.
For scenery I take a photo or I’ll write on it to create a sense of place and location. I draw it on top of where I’ve done the main scenes for the story.
I don’t actually “draw” my stuff. I’m kind of just sitting there, doing the work. It’s the best thing I can do with a pencil, I think.
What did you draw for this book?
My first draft was about 10 pages long, and it did about 3/4 the volume. Most of that was dialogue. I’d also take some of my more memorable scenes and write a new script that I hoped would make more sense and build on the things that made the original great.
Where did you use the pencil?
I used black to write for most of the book. It feels more real to the eye when your work is all black. I don’t remember where I got the yellow, but I found it and it’s the same color as the yellow used for the characters at the church in A Good Family in July. This was my choice for almost everything.
Do you draw characters or scenery?
I draw everything. Every page, every panel, even in some of the more sparse scenes.
Do you like to sketch at all?
Well, not really… maybe I can draw something that helps to shape and structure the story… but not that often.
You’ve done so much so quickly, haven’t you?!
Well, it’s fun too!
I don’t like to draw until a lot of the
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